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HAIG, Harold

1110012267

Identity

Gender: M

Also known as

Born: 1938, Willesden, Hertfordshire, England

Died: 3 August 2012, Australia

Surviving

Migration

Organisation: Church of England

Institution

Ship: ASTURIAS

Arrival: December 1949

Destination: Australia

Placement

Family

Father

Spouse

Siblings

Service

WW1

WW2

Notes

A birth registration was found for Harold Haig: Mother's Maiden Surname: Johnson; Date: Jan-Feb-Mar 1938; District: Willesden; County: Hertfordshire; Volume Number: 3a; Page Number: 606.

In 1949, H Haig, 11, arrived at Melbourne, Australia, in a group of 11 children. His last address in the United Kingdom was stated to be c/o Miss E. F. Jones, Church of England Advisory council of Emp. Settlement, 8, Princes St. Westminster, S.W.1.

An interview was done with Harold Haig by Patrick Barkham (guardian.co.uk), on Thursday 7 April 2011:

When Harold Haig was 10 years old, a man in a suit came to visit. "He said to me, 'Would you like to go to this wonderful place called Australia where the sun shines all day every day and you pick oranges off the trees, live in a little white cottage by the sea and ride a horse to school?'" remembers Haig, who is 73 but looks younger, with Pete Postlethwaite cheekbones and flowing white hair. "While I was letting this sink in, he added, 'Well, you know you're an orphan, your parents are dead, you've got no family, you might as well go.'"

Haig was one of 7,000 children from British care homes who were shipped mostly to Australia and Canada between the second world war and 1967. The scandal of the lies and abuse suffered by these child migrants was exposed thanks to the tireless work of Margaret Humphreys, a social worker from Nottingham, who, in 1987, took it upon herself to help them find their families. As Oranges and Sunshine, a moving new film by Jim Loach – son of Ken – shows, Humphreys defied death threats to discover the truth about these former child migrants and their past lives. When Haig begins to talk, it is eerie because his softly spoken words and manner exactly resemble those of Jack, a traumatised former child migrant in the film who is played by Hugo Weaving. The British-Australian actor met and talked to Haig about his experiences before taking the role.

Apart from the man in the suit talking of oranges and sunshine, Haig barely remembers anything of his childhood in Britain. "Because of my lack of memories, I may as well have been born in Australia when I was 11 years old," he says, bleakly. He was sure he had a sister called Marie, but he could not remember anything at all about his mother: no image, no voice, no smell. "Just a blank. An absolute blank."

Surrounded by other "orphaned" children, the voyage to Australia was an adventure ("we ran riot"). When Haig arrived, he was dispatched to a Church of England boarding school in Melbourne. Other child migrants were less fortunate, as Oranges and Sunshine reveals through the story of Len, played by David Wenham. Many ended up in the care of the notorious Christian Brothers where they were treated as slave labour and suffered horrific physical and sexual abuse. One victim told an official inquiry that his Christian Brother carers competed to become the first to rape him 100 times.

Haig escaped such trauma – he would be beaten with a strap if he did anything wrong – but, as he says: "The thing missing in an institution for children is that there is no love. You get punished but there is no one there to put their arm around you and say it's OK." One of many powerful scenes in Oranges and Sunshine is when the character based on Haig falteringly explains how he feels: "There's an emptiness in me. There always has been and I think the only thing that could fill it was her, my mother." Haig says something similar when he talks of how he married, had three children and established a successful signwriting business: "Anyone would've thought there's a fella who's got everything, but it was like I had a block of ice inside me. I felt empty. I knew I was missing something. I couldn't work out what it was. And there was this feeling – I didn't know who I was. I didn't know where I'd come from. I didn't belong to anybody. I was in this void."

In the 1960s, Haig sank into a deep depression

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